跳到主要导航 跳到搜索 跳到主要内容

Lofty Aims, Limited Actors, Fewer Artifacts: A Sociocultural Analysis of Confucian Conceptions of Creativity and Innovation

  • Weiguo Pang
  • , Jonathan A. Plucker*
  • *此作品的通讯作者
  • Johns Hopkins University

科研成果: 期刊稿件文章同行评审

摘要

Confucianism is often criticized as a disincentive for creativity and innovation. This article investigated Confucian conceptions of creativity and innovation from a sociocultural perspective using Glăveanu’s Five A framework. Confucian aims of creation and innovation were lofty, but the range of people who could createwas exclusionary, pathways to creative achievements were relatively narrow, and thus fewer creative artifacts were produced by Confucians. At the same time, Confucian thought contains a more nuanced conceptualization of both appropriateness/usefulness and aim/purpose than is found in contemporary, largely Western approaches to creativity and innovation. Based on the conceptual analysis, the authors recommend adding a sixth A, aim, to the 5A sociocultural framework.

源语言英语
页(从-至)105-118
页数14
期刊Psychology of Aesthetics, Creativity, and the Arts
18
1
DOI
出版状态已出版 - 8 2月 2024

指纹

探究 'Lofty Aims, Limited Actors, Fewer Artifacts: A Sociocultural Analysis of Confucian Conceptions of Creativity and Innovation' 的科研主题。它们共同构成独一无二的指纹。

引用此