Lofty Aims, Limited Actors, Fewer Artifacts: A Sociocultural Analysis of Confucian Conceptions of Creativity and Innovation

Weiguo Pang, Jonathan A. Plucker

Research output: Contribution to journalArticlepeer-review

3 Scopus citations

Abstract

Confucianism is often criticized as a disincentive for creativity and innovation. This article investigated Confucian conceptions of creativity and innovation from a sociocultural perspective using Glăveanu’s Five A framework. Confucian aims of creation and innovation were lofty, but the range of people who could createwas exclusionary, pathways to creative achievements were relatively narrow, and thus fewer creative artifacts were produced by Confucians. At the same time, Confucian thought contains a more nuanced conceptualization of both appropriateness/usefulness and aim/purpose than is found in contemporary, largely Western approaches to creativity and innovation. Based on the conceptual analysis, the authors recommend adding a sixth A, aim, to the 5A sociocultural framework.

Original languageEnglish
Pages (from-to)105-118
Number of pages14
JournalPsychology of Aesthetics, Creativity, and the Arts
Volume18
Issue number1
DOIs
StatePublished - 8 Feb 2024

Keywords

  • Confucianism
  • creativity
  • culture
  • innovation
  • sociocultural context

Fingerprint

Dive into the research topics of 'Lofty Aims, Limited Actors, Fewer Artifacts: A Sociocultural Analysis of Confucian Conceptions of Creativity and Innovation'. Together they form a unique fingerprint.

Cite this